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Fig. 1 · A# Phrygian dominant · first 12 frets

ukulele scale

A♯ Phrygian dominant

A♯1B♭2C𝄪3D♯4E♯5F♯♭6G♯♭7

The fifth mode of harmonic minor: a flat second over a major third, so the step from the second to the third is a step and a half.

The same sounds spelled from the other side are B♭ Phrygian dominant.

on guitaron piano

Written out

Fig. 2 · A# Phrygian dominant, ascending

Every accidental is written in, rather than left to a key signature, so the letters can be read one at a time.

The step pattern

A♯HBW+HC𝄪HD♯WE♯HF♯WG♯WA♯

What is true of it

A♯ Phrygian dominant is A♯, B, C𝄪, D♯, E♯, F♯ and G♯, and back to A♯.

Its steps are H – W+H – H – W – H – W – W, where W is a whole step and H a half.

Written correctly it needs 7 alterations, C𝄪 among them. That is what the letters force, and it is also why nobody writes music in this key: the same notes spelled from the other side are easier to read.

On the same tonic, A♯ Phrygian differs from it by exactly one note.

Across the first twelve frets of the ukulele its notes fall in 28 places, which is what makes a scale a shape rather than a list.

Chords made only of these notes

D♯mminorF♯augaugmentedG♯mminorG♯dimdiminishedG♯m7minor seventhG♯m7♭5half-diminished seventhA♯majorA♯augaugmented

Found by testing every chord in the catalogue against these 7 sounds, not chosen.

Other scales on A♯

A♯ Lydian dominantexoticA♯ alteredexoticA♯ double harmonicexoticA♯ majormajorA♯ natural minorminorA♯ harmonic minorminor

C phr domC♯ phr domD♭ phr domD phr domD♯ phr domE♭ phr domE phr domF phr domall 374