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Fig. 1 · A# Lydian dominant · first 12 frets

ukulele scale

A♯ Lydian dominant

A♯1B♯2C𝄪3D𝄪♯4E♯5F𝄪6G♯♭7

Raised fourth and flattened seventh at once — the fourth mode of melodic minor.

The same sounds spelled from the other side are B♭ Lydian dominant.

on guitaron piano

Written out

Fig. 2 · A# Lydian dominant, ascending

Every accidental is written in, rather than left to a key signature, so the letters can be read one at a time.

The step pattern

A♯WB♯WC𝄪WD𝄪HE♯WF𝄪HG♯WA♯

What is true of it

A♯ Lydian dominant is A♯, B♯, C𝄪, D𝄪, E♯, F𝄪 and G♯, and back to A♯.

Its steps are W – W – W – H – W – H – W, where W is a whole step and H a half.

Written correctly it needs 10 alterations, C𝄪, D𝄪 and F𝄪 among them. That is what the letters force, and it is also why nobody writes music in this key: the same notes spelled from the other side are easier to read.

On the same tonic, A♯ Lydian differs from it by exactly one note.

Across the first twelve frets of the ukulele its notes fall in 31 places, which is what makes a scale a shape rather than a list.

Chords made only of these notes

G♯augaugmentedA♯majorA♯7dominant seventh

Found by testing every chord in the catalogue against these 7 sounds, not chosen.

Other scales on A♯

A♯ Phrygian dominantexoticA♯ alteredexoticA♯ double harmonicexoticA♯ majormajorA♯ natural minorminorA♯ harmonic minorminor

C lyd domC♯ lyd domD♭ lyd domD lyd domD♯ lyd domE♭ lyd domE lyd domF lyd domall 374