2F#C#E#A#C#F#
Fig. 1 · F#maj7 · hard

guitar chord

F♯maj7

F♯1A♯3C♯5E♯7

Major triad with a major seventh: a half step below the root, an octave up.

Written the other way round it is G♭maj7 — the same twelve keys on a piano, a different piece of notation.

on ukuleleon pianothe scale

Every fingering that fits a hand

2
Fig. 2

243322

hard · barre

2
Fig. 3

2433xx

hard

2
Fig. 4

24332x

hard · barre

Fig. 5

xx4321

hard

4
Fig. 6

xx4666

hard

What is true of it

F♯maj7 is F♯, A♯, C♯ and E♯ — 1, 3, 5 and 7 counted from F♯.

On an instrument that cannot reach all 4, the 5 goes first, in that order.

The easiest of the 5 fingerings below is 243322: 4 fingers, one of them barring the 2nd fret, held at the 2nd fret.

None of them uses an open string, so this chord moves up the neck unchanged — the same shape 1 fret higher is the chord a semitone above.

2 of the 5 need a barre.

Where its notes are on the neck

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Fig. 7 — first 12 frets

The brass dots are F♯, the root. Everything else is a chord tone with its degree printed in it.

With a different note underneath

6
first inversion

F♯maj7/A♯

698666

9
second inversion

F♯maj7/C♯

99bab9

third inversion

F♯maj7/E♯

114321

An inversion is the same chord with a different note lowest. The name changes to a slash name because the bass is what a listener hears as the foundation.

F♯ in other shapes

F♯7dominant seventhF♯m7minor seventhF♯m(maj7)minor major seventhF♯majorF♯mminorF♯dimdiminished

Cmaj7C♯maj7D♭maj7Dmaj7D♯maj7E♭maj7Emaj7Fmaj7all 374