×D#C##F##D#A#
Fig. 1 · D#maj7 · easy

guitar chord

D♯maj7

D♯1F𝄪3A♯5C𝄪7

Major triad with a major seventh: a half step below the root, an octave up.

Written the other way round it is E♭maj7 — the same twelve keys on a piano, a different piece of notation.

on ukuleleon pianothe scale

Every fingering that fits a hand

Fig. 2

x60046

easy

Fig. 3

x60036

easy

Fig. 4

x6004x

easy · no 5

Fig. 5

x60033

easy · no 5

Fig. 6

x60043

easy · no 5

What is true of it

D♯maj7 is D♯, F𝄪, A♯ and C𝄪 — 1, 3, 5 and 7 counted from D♯.

F𝄪 and C𝄪 are double sharps, and they have to be: every letter from D♯ upwards is used once, so the 3 cannot be written any other way.

On an instrument that cannot reach all 4, the 5 goes first, in that order.

The easiest of the 5 fingerings below is x60046: 3 fingers, held at the 4th fret.

None of them uses an open string, so this chord moves up the neck unchanged — the same shape 1 fret higher is the chord a semitone above.

1 string stays silent.

Where its notes are on the neck

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Fig. 7 — first 12 frets

The brass dots are D♯, the root. Everything else is a chord tone with its degree printed in it.

With a different note underneath

first inversion

D♯maj7/F𝄪

310043

second inversion

D♯maj7/A♯

650046

third inversion

D♯maj7/C𝄪

x50046

An inversion is the same chord with a different note lowest. The name changes to a slash name because the bass is what a listener hears as the foundation.

D♯ in other shapes

D♯7dominant seventhD♯m7minor seventhD♯m(maj7)minor major seventhD♯majorD♯mminorD♯dimdiminished

Cmaj7C♯maj7D♭maj7Dmaj7Emaj7Fmaj7F♯maj7G♭maj7all 374