F#AEACE
Fig. 1 · F#m7b5 · moderate

guitar chord

F♯m7♭5

F♯1A♭3C♭5E♭7

A diminished triad with a minor seventh rather than a diminished one — half diminished, and not the same chord as dim7.

Written the other way round it is G♭m7♭5 — the same twelve keys on a piano, a different piece of notation.

on ukuleleon pianothe scale

Every fingering that fits a hand

Fig. 2

202210

moderate

Fig. 3

204210

moderate

Fig. 4

202550

moderate

Fig. 5

204550

moderate

Fig. 6

20221x

moderate

What is true of it

F♯m7♭5 is F♯, A, C and E — 1, b3, b5 and b7 counted from F♯.

These are also the notes of Am6/F♯. Which name is right depends on what is underneath and what came before — the notes alone do not decide.

The easiest of the 5 fingerings below is 202210: 4 fingers, held at the 1st fret.

None of them uses an open string, so this chord moves up the neck unchanged — the same shape 1 fret higher is the chord a semitone above.

Where its notes are on the neck

EADGBE123456789101112b71b3b5b7b3b5b71b3b71b3b5b3b5b71b5b71b3b71b3b5b7
Fig. 7 — first 12 frets

The brass dots are F♯, the root. Everything else is a chord tone with its degree printed in it.

With a different note underneath

first inversion

F♯m7♭5/A

504550

second inversion

F♯m7♭5/C

x34210

third inversion

F♯m7♭5/E

004550

An inversion is the same chord with a different note lowest. The name changes to a slash name because the bass is what a listener hears as the foundation.

F♯ in other shapes

F♯7dominant seventhF♯maj7major seventhF♯m7minor seventhF♯majorF♯mminorF♯dimdiminished

Cm7♭5C♯m7♭5D♭m7♭5Dm7♭5D♯m7♭5E♭m7♭5Em7♭5Fm7♭5all 374