5×FAD
Fig. 1 · F6 · moderate

ukulele chord

F6

F1A3C5D6

A major triad with a sixth added. The same four notes as a minor seventh chord a third below.

on guitaron pianothe scale

Every fingering that fits a hand

5
Fig. 2

x555

moderate · barre · no 5

9
Fig. 3

a9ax

easy · no 5

8
Fig. 4

a9a8

hard · no 5

10
Fig. 5

acac

moderate · barre

9
Fig. 6

a9ac

hard · no 5

What is true of it

F6 is F, A, C and D — 1, 3, 5 and 6 counted from F.

These are also the notes of Dm7/F. Which name is right depends on what is underneath and what came before — the notes alone do not decide.

On an instrument that cannot reach all 4, the 5 goes first, in that order.

The easiest of the 5 fingerings below is x555: one finger, one of them barring the 5th fret, held at the 5th fret.

None of them uses an open string, so this chord moves up the neck unchanged — the same shape 1 fret higher is the chord a semitone above.

2 of the 5 need a barre.

It leaves out the 5. 4 strings cannot carry 4 notes, and the 5 is the one this chord can lose without changing what it is.

1 string stays silent.

Where its notes are on the neck

GCEA123456789101112356156135135635613
Fig. 7 — first 12 frets

The brass dots are F, the root. Everything else is a chord tone with its degree printed in it.

With a different note underneath

first inversion

F6/A

2210

5
second inversion

F6/C

5555

third inversion

F6/D

x210

An inversion is the same chord with a different note lowest. The name changes to a slash name because the bass is what a listener hears as the foundation.

F in other shapes

Fm6minor sixthFmajorFmminorFdimdiminished

C6C♯6D♭6D6D♯6E♭6E6F♯6all 374