E♭m(maj7)

E♭1G♭♭3B♭5D7

Minor triad, major seventh — the tonic chord of harmonic minor.

Written the other way round it is D♯m(maj7) — the same twelve keys on a piano, a different piece of notation.

on ukulele on piano the scale

Every fingering that fits a hand

Fig. 2

xx1332

hard

Fig. 3

bdcbbb

moderate · barre

Fig. 4

x6433x

hard

Fig. 5

x6877x

hard

Fig. 6

x68776

hard · barre

What is true of it

E♭m(maj7) is E♭, G♭, B♭ and D — 1, b3, 5 and 7 counted from E♭.

On an instrument that cannot reach all 4, the 5 goes first, in that order.

The easiest of the 5 fingerings below is xx1332: 4 fingers, held at the 1st fret.

None of them uses an open string, so this chord moves up the neck unchanged — the same shape 1 fret higher is the chord a semitone above.

2 of the 5 need a barre.

2 strings stay silent.

Where its notes are on the neck

Fig. 7 — first 12 frets

The brass dots are E♭, the root. Everything else is a chord tone with its degree printed in it.

With a different note underneath

first inversion

E♭m(maj7)/G♭

21034x

second inversion

E♭m(maj7)/B♭

x10342

third inversion

E♭m(maj7)/D

xx0342

An inversion is the same chord with a different note lowest. The name changes to a slash name because the bass is what a listener hears as the foundation.

E♭ in other shapes

E♭7dominant seventh E♭maj7major seventh E♭m7minor seventh E♭major E♭mminor E♭dimdiminished

Cm(maj7)C♯m(maj7)D♭m(maj7)Dm(maj7)Em(maj7)Fm(maj7)F♯m(maj7)G♭m(maj7)all 374